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Visual Effects Artists Speak Out Against Marvel Mistreatment 

Media outlets have reported first-hand accounts of individuals who have worked for Marvel’s visual effects department, stating that the company constantly had high demands and would overwork employees for little money to create the movie magic we’re all used to when we turn on a Marvel film. 

Dhruv Govil, a visual effects artist who worked on a handful of Marvel films, tweeted: “Working on Marvel shows is what pushed me to leave the VFX industry. They’re a horrible client, and I’ve seen way too many colleagues break down after being overworked while Marvel tightens the purse strings.”  

“The issue is Marvel is too big, and can demand whatever they want. It’s a toxic relationship.” 

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An anonymous visual effects artist told New York Magazine’s Vulture site:  “When I worked on one movie, it was almost six months of overtime every day. I was working seven days a week, averaging 64 hours a week on a good week. Marvel genuinely works its workers really hard. I’ve had co-workers sit next to me, break down and start crying. I’ve had people having anxiety attacks on the phone.”

Joe Pavlo, an Emmy award-winning visual effects artist who worked on Guardians Of The Galaxy stated that working for the company was a “crazy mess.” 

“The visual effects industry is filled with terrific people with lots of goodwill who really care but, at the end of the day, there’s nothing in place when their backs are up against the wall and Disney is making crazy demands,” Pavlo told The Guardian

“All the goodwill in the world just evaporates when everything gets changed and they decide they’re replacing that character with a different actor or changing the entire environment – they’re now in a pizza restaurant instead of a cornfield. It can be that extreme at the very last minute,” Pavlo continued. 

“It can be characterized as bullying but filtered through multiple layers of management and supervisor and hierarchy. It’s not like the executive from Disney is grabbing someone and swearing at them or something like that. It’s more like an atmosphere where everybody feels like this is the most desperately important thing and, if we don’t do it, we’re all f*cked.”

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“The average artist doesn’t even have any contact with the clients. It’s really just the people at the producer and the supervisor level and then they pass it on to their crew. So you could say, oh, the supervisor’s a real bully, but actually it’s a knock-on effect and then the people who are the team leaders, once they can’t handle it, end up being bullies,” Pavlo exclaimed. 

“Bullying is a huge problem in our industry because everybody’s so desperate sometimes. It seems like there’s such a high level of stress and pressure on these jobs to complete on time, to change everything at the drop of a hat.”

Pavlo is also the chair of the animation and visual effects branch for Broadcasting, Entertainment, Communications and Theater Union (BECTU). 

“Disney-Marvel is very famous for wanting multiple versions running parallel so that they can decide what they want. A strong union would be able to reel that in a bit.

“If you imagine you get the art department to design a set, you wouldn’t get them to tear down the set and rebuild a completely different set 35 times. Because it’s digital, people don’t see it as the same thing but it is: it involves work and creativity and long hours. It doesn’t create itself,” Pavlo explained, adding that the recent union organizing efforts from Amazon and Starbucks workers have offered a “possible blueprint” for how VFX artists can follow suit. 

“Disney is going to have to utilize their visual effects teams more and they need to be compensated for their contribution and working conditions. Ultimately they’re going to get to that point but it takes one person like that article from Vulture to say, hey, it’s time for somebody to step in and protect this side of it, as have all of the other departments been protected as well.”

US Special Envoy To Haiti Resigns Over ‘Inhumane’ Expulsions Of Haitian Migrants 

The Biden Administration’s special envoy to Haiti resigned this week after citing “inhumane large-scale expulsions of Haitian migrants to their homeland,” which has already been ravaged by natural disasters, and civil unrest. 

Daniel Foote was appointed to the envoy position back in July after Haiti’s president was assassinated. An envoy refers to a messenger or representative, especially one on a diplomatic mission, within the government. Beyond the recent headlines regarding the harsh treatment Haitian migrants have been enduring, Foote was known for often complaining about the lack of urgency coming from Washington when it came to improving Haiti’s conditions and infrastructure after so many natural disasters. 

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Foote wrote Secretary of State Antony Blinken this week, stating that he was “stepping down immediately with deep disappointment and apologies to those seeking crucial changes.”

“I will not be associated with the United States inhumane, counterproductive decision to deport thousands of Haitian refugees and illegal immigrants to Haiti, a country where American officials are confined to secure compounds because of the danger posed by armed gangs to daily life.”

“Our policy approach to Haiti remains deeply flawed, and my policy recommendations have been ignored and dismissed, when not edited to project a narrative different from my own,”  he wrote

One official within the White House claimed that Foote had consistently tried to have a greater oversight presence in Haiti, especially when it came to policies that would improve the nation’s infrastructure. The administration consistently told Foote his requests were not appropriate, according to the official who chose to remain anonymous. 

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The White House and Biden Administration has been under major fire in recent weeks when it comes to Haiti. Many Democrats and immigration rights activists have gone online to condemn the government for expelling thousands of Haitians without a chance to seek asylum; which violated American principles.

Even more recently, images were blasted all over social media showing Border Patrol agents on horseback using aggressive tactics against Haitian migrants, including a whip, leading many to make the obvious comparison to slavery and the power dynamics that still exist within the American system to this day. 

US officials are currently ramping up their deportation efforts and organizing to get seven expulsion flights from the US to Haiti a day; this would mark one of the swiftist and large-scale expulsions from the US in decades, and in the middle of a worldwide health crisis. 

“When someone who is tasked with Haiti policy at the highest level resigns because recommendations are ignored and dismissed it’s not only troubling, but shows you this administration does not tolerate anyone who won’t go along with their distorted view of the facts. Dan Foote is a world class diplomat who refuses to be told what to do. I wish more foreign service officers had his courage to stand up and call out their bosses,” said Damian Merlo, a Republican strategist who has worked for years on Haiti policy and is now a registered lobbyist for the country’s government.