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Ariana Grande

Ariana Grande Plans Break From Public Eye After Eternal Sunshine Tour

Ariana Grande has stepped away from a forthcoming London revival of Stephen Sondheim’s “Sunday in the Park With George” as she prepares to retreat from public-facing work following the conclusion of her current tour.

The tour is Grande’s first in six years. It comes after a particularly eventful period for the 33-year-old singer and actor, who spent the past year promoting the second “Wicked” movie, while also ending a three-year relationship.

Empire Street Productions announced that Grande has “decided to step back” from the musical, which is scheduled to open at London’s Barbican Center next summer. The production company said the revival will still move forward as planned, with replacement casting to be revealed “in due course.”

Grande had been expected to portray both Dot and Marie opposite Jonathan Bailey, her co-star in the “Wicked” films.

“We know this cannot have been an easy decision, and she makes it with our complete understanding and support. We wish her nothing but the best.”

The change comes amid renewed public discussion about Grande’s appearance and health. Her representative told People that the singer and actor intends to take “a step back from visibility after she completes the Eternal Sunshine Tour,” which is scheduled to conclude in London next month.

Much of that attention has unfolded on social media, where users have repeatedly speculated about Grande’s weight and overall health.

Grande’s final performance on the tour is set for Sept. 1. Her representative described the tour as a positive experience but said the intense attention surrounding Grande has contributed to her decision to temporarily withdraw from public life.

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“She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break from public-facing work and appearances, which has led to endless, ongoing public scrutiny. This tour has been a beautiful experience for her. She loves her fans and has loved every minute of this tour so much.”

Discussion of Grande’s body and health has followed her for several years, with the scrutiny intensifying around the release of “Wicked: For Good” last year. Grande responded at the time by sharing a clip from a 2024 interview in which she pushed back against the idea that people should feel entitled to comment on another person’s appearance.

In the interview, Grande said that, in society, “there’s a comfortability that we shouldn’t have, at all” when it comes to discussing how other people look. She described that behavior as “dangerous for all parties involved.”

Grande also said that invasive commentary can encompass everything from assumptions about a person’s health to criticism of their clothing, face or body. She argued that people have become far too comfortable publicly analyzing what they believe may be happening in someone else’s private life.

The conversation resurfaced following Friday’s release of “Petal,” Grande’s eighth studio album, as well as the accompanying music video for its title track. The video presents a violent satire of the entertainment industry and the standards imposed on performers.

Grande plays an actor named Pepper who repeatedly auditions for casting executives and is repeatedly told she is “not good enough.” The character eventually kills the executives with a chainsaw. At the end of the video, however, a director calls “cut,” revealing that the killings are part of a production. Grande then leaves the set as members of the crew praise her performance and talent.

In an interview with Apple Music, Grande characterized the new album as “very experimental and different.” She also said the project allowed her to access the “unfiltered rage that I think we all feel sometimes.”

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The debate surrounding Grande is part of a wider conversation about increasingly thin beauty ideals in Hollywood. In May, actor and activist Jameela Jamil warned that an alarmingly thin standard had begun taking hold in society, echoing concerns raised by some dietitians, celebrities and social media users.

Dr. Sarah Gupta, a psychiatrist and the medical director of the mental health platform Modern Health, told People the current tension follows years of progress toward body positivity and body neutrality. The size-inclusivity movement of the 2010s encouraged brands to feature a broader range of bodies while helping normalize fat acceptance and common physical features such as cellulite and stretch marks.

According to Gupta, the apparent reversal may be fueling fears of a return to the diet culture of the 1990s and 2000s, when extreme thinness was often treated as the dominant beauty standard. She said those broader concerns can be worth examining, but the discussion should support health without imposing additional pressure on individuals.

Social media can also influence body image and the development of eating disorders, making the language used beneath photographs and videos consequential. Lizzy Pope, a University of Vermont associate professor who studies diet culture in popular culture, has observed a renewed willingness to openly express a desire for thinness. She contrasted that language with the wellness-focused terms that had become more common in recent years.

Experts cautioned, however, that attempting to challenge harmful beauty standards by dissecting a particular person’s appearance can reproduce the same damage. Gupta recommended shifting attention away from whether an individual celebrity looks “too thin” and toward systemic issues, including the growing visibility of GLP-1 medications, their promotion by drug companies, unequal access to the drugs and the role social media algorithms play in amplifying them.

She also advised people to avoid comments about body shape or size and to remember that comments, whether online or in person, may affect how others view their own bodies, particularly among children and teenagers.

Although Grande plans to limit her visibility after the Eternal Sunshine Tour ends, she still has a major film project awaiting release. She is scheduled to appear alongside Ben Stiller and Robert De Niro in “Focker-in-Law,” the next installment in the “Meet the Parents” franchise. The movie is set to arrive in theaters Nov. 25.

music

Taylor Swift’s ‘The Life of a Showgirl’ Becomes Fastest-Selling Album in Modern Music History

Taylor Swift has done what even pop icons with decades-long careers couldn’t: sell more than 4 million copies of a single album in just one week. According to Billboard, Swift’s 12th studio LP, “The Life of a Showgirl,” moved 4.002 million units between October 3 and 9, combining traditional sales and streaming numbers. The figure marks the largest opening week for any album since modern tracking began.

Taylor Swift

Taylor Swift Makes History by Taking Over Entire Top 10 US Singles Chart

Taylor Swift became the first artist in history to claim every slot in the top 10 US singles chart after releasing her album “Midnights.” She overtakes rapper Drake, who held the previous record of taking over 9 of the top 10 singles in September 2021.

Before Drake, the Beatles scored 8 of the top 10 singles back  in 1964. Midnights also became the fastest-selling album of 2022, and all 13 songs on the album made it to the top 15 chart.

Billboard tweeted about Swift’s historic achievement on Monday.

@taylorswift13 scores one of the most historic weeks in @billboardcharts history, as she becomes the first artist to claim the # Hot100’s entire top 10 in a single week.”

Taylor Swift shared her excitement over the news, retweeting Billboard.

“10 out of 10 of the Hot 100??? On my 10th album??? I AM IN SHAMBLES”

The song “Anti-Hero” sits at the top of the list, taking over the number one spot. The track has also become a TikTok trend, with colorful lyrics like “I’m the problem, it’s me.”  

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In August, Swift announced the new album during her acceptance speech at the 2022 MTV Video Music Awards after winning video of the year for her short film “All Too Well.”

“You guys. I’m just so proud of what we made. I know with every second of this moment that we wouldn’t have been able to make this short film if it weren’t for you– the fans – because I wouldn’t be able to re-record my albums if it weren’t for you. You embolden me to do that. So, I had sort of made up my mind that if you were going to be this generous and give us this, I thought it might be a fun moment to tell you that my brand-new album comes out Oct. 21.”

After revealing the record’s release date onstage, she took to Instagram to describe the upcoming tracks in more depth.

“This is a collection of music written in the middle of the night, a journey through terrors and sweet dreams. The floors we pace and the demons we face. For all of us who have tossed and turned and decided to keep the lanterns lit and go searching – hoping that just maybe when the clock strikes twelve … we’ll meet ourselves.”

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Midnights is Swift’s tenth studio album and fifth release in just over two years

Part of its success is due to its release in multiple formats, such as “moonstone blue marble” vinyl, CD, cassette and digital download. The four vinyl editions can be combined to make a functioning clock using a unique mount available for purchase on Swift’s website. 

Midnights also topped the US album chart, selling 1.58 million copies. More than half a million of those were on vinyl, which is uncommon in the streaming era. Midnights sold 62,000 copies on vinyl in the UK, becoming the highest weekly sale for a vinyl album in the 21st century. 

The rest of the top 10 singles chart includes album tracks like Lavender Haze, Maroon, Snow On The Beach, Bejeweled and Karma.

According to Billboard, streams of the album alone would have taken over the chart, before even counting sales and radio plays, helping Swift break several records. 

Midnights also became the most streamed single album on Spotify, Apple and Amazon Music in one day. Swift now holds the most top 10 hits among female artists with 40 songs in total, surpassing Madonna’s 38. 

Be Kind Everyday

Lady Gaga Wants To Take Us To Another Dimension With “Chromatica”

“Chromatica” is more than just Gaga’s fifth studio solo album, it’s a metaphor for diversity, unity, and color among darkness, taking the form of up-beat dance music that the world needs now more than ever.