Zyn’s Popular Rewards Program Called Out For Promoting Nicotine Addiction From Public Health Advocates 

Zyn is a brand known for their flavored nicotine pouches that are becoming very popular among younger people. Users of Zyn are now collecting their containers, which are equipped with QR codes that can be used to collect points. Each can is worth 15 points and consumers can earn up to 60 points per month. 

When these points are redeemed on Zyn’s website, users can unlock items such as Dyson Airwraps, KitchenAid mixers, Tory Burch tote bags, and even iPads, according to reports

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Tobacco-free nicotine pouches like Zyn have long been used to help cigarette smokers aged 21 and up quit. The pouches are placed between the gums and lips to release nicotine into the bloodstream. 

However, the rewards system and aesthetically pleasing packaging has made Zyn popular for non-smokers on social media, especially younger consumers. 

The company that owns Zyn, Philip Morris International, stated that they shipped 350 million cans of their pouches last year, which was a 62% increase in the US when compared to the sales in 2022, according to CNN

Senate majority leader, Chuck Schumer, stated:

“I’m delivering a warning to parents, because these nicotine pouches seem to lock their sights on young kids – teenagers, and even lower – and then use social media to hook ’em.”

Shumer has called on both the Federal Trade Commission (FTC) and Food and Drug Administration (FDA) to investigate the health impact of Zyn and its seemingly intentional marketing towards younger individuals. 

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Dr. Robert K Jackler, a professor at Stanford Medicine and principal investigator at Stanford Research into the Impact of Tobacco Advertising, explained that while social media platforms like TikTok, Facebook, Instagram, and X don’t allow for paid promotion from the nicotine industry, there are ways to work around it. 

“We saw Juul use hashtag amplification tremendously, getting users to put up posts with #MothersDay or #Party, or whatever. Now, it’s ‘Zynfluencers,’ or those who unofficially rep the brand on social media. There’s free organic marketing,” Jackler said, according to the Guardian

According to Fortune Magazine, Philip Morris International stated that Zyn’s online marketing, and rewards program specifically, is specifically directed to legal nicotine users aged 21 and above. Their advertising application for Zyn is currently being reviewed by the FDA.

Tobacco and nicotine companies are legally allowed to have reward programs under federal law, as long as the rewards themselves aren’t more nicotine/tobacco products. Zyn has a multitude of products for their rewards such as Apple AirTags, Visa giftcards, Zippo lighters, Swiss army knives, and Yeti tumblers. 

“You see people showing their prizes alongside packs of Zyn or even just showing the stacks of empty Zyn packs that they are going to redeem. This is free advertising for the company,” said Lauren Czaplicki, an associate scientist at the Institute for Global Tobacco Control at the Johns Hopkins Bloomberg School of Public Health

“It’s the gamification of nicotine use. The viral buzz and high value prizes really drive purchasing and consumption, which is worrying. Then you have the potential for people to get addicted to the product and to playing the rewards program game, and the two mutually reinforce each other,” Czaplicki added.

Prado Museum In Madrid

Lost Caravaggio Painting, That Was Previously Misidentified, To Be Shown At Prado Museum In Madrid

A lost Caravaggio painting depicting a suffering Jesus Christ wearing a crown of thorns is set to go on display at the Prado Museum in Madrid. The painting itself made headlines a few years ago after it was misattributed and almost sold for €1,500 (about $1,600).

The Ecce Homo measures 111 centimeters by 86 centimeters and was initially attributed to the 17th-century Spanish artist José de Ribera in April 2021 when it was offered for sale at a Madrid auction house, according to reports. Art experts in Spain and Italy, however, were led to re-examine the work due to its luminous quality. 

Experts from the Prado Museum contacted Spain’s culture ministry once collectors around the world heard about the painting’s potential mystery painter. The ministry ordered an export ban for the painting and gave it a protected heritage status so that it would stay in Spain. 

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The Prado stated on Monday that The Ecce Homo will be on display in the museum from May 28th until October of this year. Miguel Falomir, the Prado’s director, stated that the museum has been working with the painting’s newest owner to restore the piece and figure out how its traveled since its creation. 

The painting was purchased from a family that had owned it for generations by an anonymous purchaser for an undisclosed sum, according to the museum.

“We’ve discovered that this is indeed a Caravaggio, and a painting that was brought to Spain in the 17th century and attributed to the Italian painter,” said Falomir. 

“During the Napoleonic invasion, it left the royal collection and it had been in a private family collection in Madrid since the 19th century. The family recently decided to sell the picture to a private buyer, and this person became interested in exhibiting this very important work at the Prado.”

Falomir stated his excitement for the work to be on display in the museum for the public and critics to enjoy. 

“It’s an enormous opportunity and one we’re thrilled about. We’re also celebrating the fact that this great work of art will stay in Spain and become part of Spain’s culture,” he said. 

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The Prado currently has one Caravaggio on display, David with the Head of Goliath, which was initially painted in Rome around 1600 when the artist was 30-years-old. The Prado’s head of pre-1800 Italian and French painting, David García Cueto, expressed his excitement to have a second Caravaggio on display in their museum. 

“By then [1600], he [Caravaggio] had achieved a stylistic maturity through his refined use of light and shade that allowed him to capture reality in a close-up manner,” said García Cueto. 

“Caravaggio’s stylistic evolution in the last 10 years of his life was pretty innovative, expressionistic, free and striking. The Ecce Homo, painted around 1607-1610, offers a complementary vision of Caravaggio’s late work and condenses the best of the master’s style in his final years,” he stated. 

Massimo Pulini, an art historian and professor at the Bologna Fine Arts Academy, told the Guardian that he was able to identify the painting as a Caravaggio when one of his colleagues in the antique industry sent him a photo. 

“When I saw the painting, I couldn’t believe my eyes. The impact was so immediate that I instantly knew this was a Caravaggio. It was like meeting someone on the street who you haven’t seen for a long time. It’s difficult to explain what happens in certain moments when, in a millisecond, you have such an impression. It’s often a question of instinct,” said Pulini.


The Beatles Next Generation: John Lennon And Paul McCartney’s Sons Collaborate On New Song

The songwriting stylings of John Lennon and Paul McCartney defined a whole generation of music, and is one of the reasons The Beatles became such an iconic band in the history of music. Now, the sons of Lennon and McCartney, Sean Ono and James, have teamed up to bring back the Lennon-McCartney songwriting credit in a new song called “Primrose Hill.”

“Primrose Hill” is a single by James McCartney and was co-written by Sean Ono Lennon. The Guardian described the song as an “acoustic ballad with a shuffling backbeat and ruminative guitar soloing.”

“I had a vision as a child in Scotland, on what was a lovely summer’s day. Letting go, I saw my true love and savior in my mind’s eye. Primrose Hill is about getting the ball rolling with me & finding this person,” said James McCartney in an Instagram post. 

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Paul and Linda McCartney had James in 1977. He released two solo albums in 2013 and 2016, and stated recently that he was now “really getting the ball rolling” and he was “excited to continue to share music.”

Paul and James McCartney have previously co-written songs together, and James played with his father on his albums such as Flaming Pie in 1997. 

In a 2013 interview with the Daily Mail, James said “It’s hard to live up to the Beatles.”

“When Wings toured they got slated. Even Dad found it hard living up to the Beatles. I started out playing under an alias because I wanted to start quietly. I had to serve my time as a musician and wait until I had a good body of songs and for a time when both myself and my music were ready. I don’t want to sit around. I want to earn my own living,” he said.

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Sean Ono Lennon has also had his own musical career. In his early life he appeared on his mother’s, Yoko Ono, albums, and eventually joined the alt-rock band Cibo Matto. The other members of Cibo Matto and Zak Starkey, the son of Ringo Starr, backed up Ono Lennon on his debut album Into the Sun, in 1998.

The Beatles as an entity continue to be a major part of the music industry and where it’s at today. Additionally, new projects about The Beatles are still in the works. What is being referred to as the final new Beatles song, “Now & Then,” was released in the fall. 

Peter Jackson also directed and released the three-part documentary “Get Back,” and a reissue of the 1970 film “Let It Be” will air on Disney + in May. 

“I’m absolutely thrilled that … Let It Be has been restored and is finally being rereleased after being unavailable for decades. I’ve always thought that Let It Be is needed to complete the Get Back story,”  Jackson said.


Banksy Confirms Tree Mural In North London Is His Work 

A mural that appeared overnight on a residential building in the Finsbury Park area of northern London is confirmed to be a work by Banksy. The anonymous street artist confirmed that it was his work on his Instagram this past Monday after onlookers speculated the whole morning about how the artwork got there. 

The mural is located on Hornsey Road in Finsbury Park, and is painted on a wall that sits directly behind a tree when the viewer is looking down Hornsey Road itself, according to the Guardian

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The artwork features a lifesize depiction of a woman holding a pressure washer that makes it seem as though she’s spraying green paint on the side of the building. When you view the tree in front of the mural straight on and centered, the green paint also looks like foliage coming out of the plant. 

Hornsey Road residents and other onlookers continuously gathered on Monday to look at the artwork, expressing their excitement to local news outlets. 

“We’re so proud and delighted that Banksy chose our road and chose Finsbury Park for his work,” said Hornsey Road resident Wanja Sellers to the PA Media news agency. 

Other residents like Lidia Guerra praised the work while also offering a potential meaning behind it, as Banksy is known for his art pieces to have some kind of underlying larger message. 

“The way it’s been done, with the paint spraying down, reminds me of a weeping willow, so there’s perhaps a message about the struggle of nature with the dead tree in front. It’s just great – when we read about it last night, we knew we had to come and see it as soon as possible. We feel so proud to think he chose our street,” Guerra stated

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Resident Chris Beskin said:  “I’m absolutely delighted to see this on our street – I think it’s great and sends a strong message. I’d like to see more of it, to be honest, the more the merrier. I think it’s probably one of his biggest pieces in a while – and the fact he’s done it on the wall means it can’t just be stolen or easily removed.”

Other residents were happy that the mural gave the community the chance to come together and revel in their home’s beauty. 

The cherry tree, which works as a centerpiece for the artwork, is said to be around 40 to 50-years-old, and is unfortunately in declining health. Local reports state that the council’s tree service has been attempting to prolong its lifespan by taking care of the tree as much as possible. 

Creator of the BBC Radio series, ‘The Banksy Show,’ James Peak, spoke on the messaging behind this newest installation from Banksy. 

“The message is clear: Nature’s struggling and it is up to us to help it grow back.” 

“[The scene is] a very busy, urban, built-up environment, with the tree sitting in the gardens of some social housing. The figure of the woman is a classic Banksy-style stencil. The shade of green used to represent the foliage is exactly the same sort of virulent shade of green that Islington uses for its social housing signs,” he described

“So, when you step back, it looks like the tree has burst into life, but in a noticeably fake and synthetic way. And it’s pretty subtle for a massive tree, I’d say. It’s spring now, and this tree should be bursting forth with leaves, but Banksy must have cycled past and thought how miserable it looks,” he said.


Wendy’s Says It Won’t Use Surge Pricing After Internet Backlash

The fast food chain Wendy’s clarified that it has no plans to use “surge pricing” during its busiest hours. The announcement, made on Tuesday, followed reports in multiple media outlets suggesting the business is considering experimenting with dynamic pricing that changes throughout the day in response to customer demand.

In a statement, the company asserted that the dynamic pricing model was being misinterpreted. The chain says it intends to reduce prices during slower periods rather than increasing them during busy ones.

“We said these menu boards would give us more flexibility to change the display of featured items. This was misconstrued in some media reports as an intent to raise prices when demand is highest at our restaurants. We have no plans to do that and would not raise prices when our customers are visiting us most. Any features we may test in the future would be designed to benefit our customers and restaurant crew members. Digital menu boards could allow us to change the menu offerings at different times of day and offer discounts and value offers to our customers more easily, particularly in the slower times of day.”

Senator Elizabeth Warren weighed in on the issue on her X account, suggesting the new strategy is exploitative.

“Wendy’s is planning to try out ‘surge pricing’— that means you could pay more for your lunch, even if the cost to Wendy’s stays exactly the same. It’s price gouging, plain and simple, and American families have had enough.

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The company is already the most expensive fast-food restaurant among competitors like McDonald’s, Taco Bell, Burger King, and Chick-fil-A.

In an earnings call earlier this month, Wendy’s CEO Kirk Tanner highlighted that upselling and dynamic pricing were key strategies for driving sales growth. “We will begin testing more enhanced features like dynamic pricing and day-part offerings along with AI-enabled menu changes and suggestive selling,” he said.

“As we continue to show the benefit of this technology in our company-operated restaurants, franchisee interest in digital menu boards should increase further supporting sales and profit growth across the system.”

Many businesses, including rideshares like Uber and Lyft and ticket distributors like Ticketmaster, employ dynamic pricing models to charge higher rates in response to user demand.

In an email to CNN, the company reiterated that it will not employ a similar system.

“Wendy’s will not implement surge pricing, which is the practice of raising prices when demand is highest. This was not a change in plans. It was never our plan to raise prices when customers are visiting us the most.”

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Juan Castillo, assistant professor of economics at the University of Pennsylvania, told CNN that “surge pricing” was a poor choice of words to describe the pricing strategy.

“Whoever called it surge pricing made the worst marketing mistake you can think of. Surge pricing sent the message to everybody that this is mostly about increasing prices. That created a very negative reaction from the public.”

According to Jonathan Maze, editor-in-chief of the trade publication Restaurant Business, the introduction of dynamic pricing to Wendy’s may lead to other fast food restaurants adopting the technology.

“If Wendy’s idea works, it could get others to do something similar, and I wouldn’t be surprised to see another chain or two test the idea themselves, given what Wendy’s is doing.”

In response to Wendy’s announcement, Burger King is giving out free burgers from Feb. 28 to March 1 on purchases of $3 or more.

“We don’t believe in charging guests more when they’re hungry,” Burger King wrote in a press release announcing the limited-time deal. “Surge pricing? Well, that’s new,” the company added. “Good thing the only thing surging at BK is our flame!”

In order to implement digital menu boards at all of its restaurants in the United States by the end of 2025, Wendy’s intends to spend approximately $20 million. Over the next two years, another $10 million will be set aside to bolster digital menu upgrades internationally.


Four Films About Each Member Of The Beatles Are Coming From Director Sam Mendes

Oscar-winning director Sam Mendes has announced that he will be making four separate fiction films about one of the most famous bands in music history, The Beatles.

Each film will cover the story of one of the members of the band, meaning John Lennon, Paul McCartney, Ringo Starr, and George Harrison will have their own films. 

The project has received the blessing of Paul McCartney and Ringo Starr, as well as the families of both John Lennon and George Harrison.

This officially marks the first time that the remaining members of The Beatles, Lennon and Harrison’s families, and Apple (who owns the rights to the band’s music), have agreed to give the members life stories and their music rights over for a scripted film. 

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Mendes revealed that all four films will be released in 2027, and will tell stories that are interconnected. Each movie will be told from the perspective of the given band member. 

“I’m honored to be telling the story of the greatest rock band of all time, and excited to challenge the notion of what constitutes a trip to the movies.”

Pippa Harris is Mendes’ producer, and explained to Deadline Magazine that the director initially had this idea a year ago: 

“It’s a testament to his creative brilliance and powers of persuasion that Paul McCartney, Ringo Starr, Sean Lennon and Olivia Harrison responded with such warmth and enthusiasm as soon as he spoke with them,” she stated. 

“What is truly exciting is for Sam to have the freedom to delve into the lives of each of the Beatles, with nothing off limits and no sense of the band wanting him to tell a particular ‘authorized’ version of their rise to success.”

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Sony Pictures chairman and CEO Tom Rothman discussed how when it comes to movies today, directors need large scale ideas, which is exactly what he believes Mendes is doing. 

“Theatrical movie events today must be culturally seismic. Sam’s daring, large-scale idea is that and then some. Pairing his premiere film-making team, with the music and the stories of four young men who changed the world, will rock audiences all over the globe. We are deeply grateful to all parties and look forward to breaking some rules with Sam’s uniquely artistic vision,” Robinson stated

Mendes’ debut film, ‘American Beauty’, won five Oscars in 2000. The two James Bond films he directed, ‘Skyfall’ (2012) and ‘Spectre’ (2015), are still the highest grossing films in the franchise. 

‘1917,’ his single-shot war film won three out of the 10 Oscars it was nominated for. 

While there have been more than 15 biopics on The Beatles, both TV and movie, this fresh approach with approval from all four members’ respective parties will be a fresh take on one of the world’s most famous bands.


June Givanni, UK Curator Of African Film, To Receive Bafta Award 

June Givanni is known as a pioneering curator, writer, and programmer of African film’s who founded a London-based archive that documents Pan-African cinema over 40 years ago. Her amazing work is now being honored, as she is set to receive a Bafta Award for outstanding British contribution to cinema. 

The London archive that Givanni founded, known as the June Givanni Pan African Cinema Archive (JGPACA), has amassed more than 10,000 pieces of media history, including films, manuscripts, audio, photography, and posters that documented Pan-African cinema for over 40 years. 

The archive itself is run by volunteers and is known as “one of the world’s most important collections documenting the moving image for the African continent and its diaspora, and includes artifacts that might otherwise not have been preserved,” according to Nadia Khomami, an Arts and Culture correspondent for The Guardian. Givanni also spoke to the publication about the recent honor and the importance of the work they do at JGPACA. 

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“The award gives us an opportunity to tell people what we’re trying to do because people’s ideas about archives are so varied … Our long-term goal is to enrich knowledge and understanding of Pan-African cinema’s place within the cultural sector, its creative impact and legacy internationally.”

Givanni initially moved to the UK at seven-years-old. Her career started with bringing Third Eye London’s first ever Festival of Third World Cinema. She then worked as a film programmer at the Greater London Council’s ethnic minorities unit. 

Her success in the industry continued when she would go on to run the BFI’s African-Caribbean unit, where she compiled the first comprehensive directory of Black and Asian films in the UK. She was co-editor of the BFI’s Black Film Bulletin, and has worked as a curator of film on five continents. 

Givanni is also a published author of titles such as Remote Control: Dilemmas of Black Intervention in British Film and TV and Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image.

Givanni will be presented with the special award next month at the Baftas ceremony. She emphasized the importance of the archives and continuing to preserve history and culture. 

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“A lot of younger people are amazed by our archive. Because they grew up in the digital age, and they think everything they want to know or need to know is on the internet. And when they come in, it’s so physical, they’re totally blown away. They’re amazed that there’s so much they don’t know,” she said

“It’s a question of expanding people’s minds about what information is, where it is, and how it relates to what is happening now. That’s one of the philosophical concepts from the Ghanaian culture, called Sankofa. It means looking back to better understand the future.”

“Pan-African cinema [is a] cinema of resistance,  a cinema that recognises the value and importance of the African culture and what it can contribute to the world,” she added. 

“When I came to the UK from Guyana as a young child in the 50s, I was so shocked at the ignorance of people about who I am. I had come from a society where people are quite ambitious, they encourage you, to one where I was put in a class with children two years my junior because they believed I came from a country where you don’t know how to read or write,” Givanni said. 

“So many times people are not seeing you as someone who has anything to offer. Pan-Africanism has always been about knowing your history and being able to situate the value of that within wherever you find yourself in the world. It’s something all of us need to do.”


UK Campaigners Claim That Millions Have Been Wasted Creating Nationwide Library Website 

The UK’s public libraries have been facing major difficulties within the past few years as the government have been indecisive and delayed plans on how to spend millions of pounds for funding a nationwide library website. 

The website was initially called the “Single Digital Presence” (SDP) but was later renamed LibraryOn. LibraryOn is one website that was made to act as a hub for all public libraries on one website, and allow the public to access collections across the country, according to reports from The Guardian.

Campaigners this past weekend, however, have criticized the government and the British Library and Arts Council England (ACE) over the lack of development of LibraryOn, and many are beginning to lose their patience. 

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On the government’s and ACE’s end, the delays in development are due to the fact that in England alone, there are only 150 library authorities that each have their own independent technology and management systems. The LibraryOn plan has been in the works for the past 10 years, and while government funds have been allocated to ACE and the British Library, little action has been done. 

The libraries campaigner, Tim Coates, told the Observer that these failures by the government are disheartening and disappointing. 

“We’re now 10 years later and – after several reviews and studies and about £6m – they have singularly failed even to decide what it is they ought to do.”

“Their obsession with consultation with ‘the sector’ has meant they have failed to grasp what people want and will use – which, simply, is easy access to the extensive library collections across the country. It should be like the website for John Lewis – that, wherever you are, it doesn’t depend on their individual shops,” Coates stated

The plan for a national digital resource for the UK’s libraries was initially introduced in recommendations in William Sieghart’s 2014 Independent Report for England, which was commissioned by the Department for Culture, Media, and Sport (DCMS). 

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The Guardian also quoted an eminent arts figure who chose to remain anonymous: 

“It’s appalling. The government’s done nothing since that report. Libraries have been left behind in the 1970s. The digital revolution hasn’t really impacted them. They are stuck behind their own local authority IT system. The point of the digital presence would be to empower them.”

“We look at the way other nations are investing in their children and their futures through libraries and wonder what the hell we’re doing,” said Nick Poole, the chief executive of the Chartered Institute of Library and Information Professionals. 

Poole also explained that within the past 10 years, 15% of libraries have closed, and another 15% are dependent on volunteers to keep them up and running. 

He went on to say that the need for a digital presence for the UK’s library system has been present since the rise of computers, but the delays in development are also due to fears that more libraries will close. 

“We want to see really strong face-to-face libraries supported and extended by a really strong digital scheme,” he added. 

LibraryOn has received around £3.8 million in funding since 2018, which is when the British Library took over management of the project.


Clara Peeters, The Forgotten 17th Century Artist Whose Painting Could Now Sell For Over $700,000 

A painting of a basket of flowers from the early 17th-century is about to be sold at an auction in December. The untitled work is by Clara Peeters, a Flemish painter who was written out of art history for centuries. 

The flower still life itself has not been seen in public for over 100 years, and has never appeared in any art or art history books. Overall, very little is known about Peeters life. 

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The painting is a beautiful realistic work showing roses, carnations, tulips, and many other flowers in a wicker basket sitting on a ledge. It also features a little butterfly and cricket within the foreground. 

According to Chloe Stead, of Sotheby’s which is selling the painting, Peeters painting is done on copper, giving the piece an “enamel-like luster.”

Stead believes the painting could be sold at around £500,000 to £700,000 (more than $700,000 USD). 

“Peeters was forgotten for such a long time. There is a remarkable lack of detail known about her life, which is tantalizing given the extraordinary quality of her paintings,” Stead said.

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According to Stead, Peeters’ paintings were previously recorded as being from outside of Antwerp, with other indications suggesting that she was a successful artist. In her lifetime, she painted around 40 works, and the still like of flowers about to be auctioned has been in a private collection in Belgium since 1928. 

“Her paintings were quite prized objects and were being passed around. Which makes it so remarkable that she – like so many of her female contemporaries – were, over the centuries thereafter, written out of art history. And only rediscovered and reassessed in the mid-late 20th century,” Stead said

The painting will be sold alongside another natural-themed still life of apricots, peaches, and plums in a porcelain bowl by artist Louise Moillon in 1634. 

Stead said: “Moillon’s paintings are sublime. She’s an expert in texture, and it’s the contrast in this painting between the cool white of the porcelain bowl and the lovely fuzzy surface of the apricots and peaches that is such a treat.

“She’s got a larger oeuvre [than Peeters] but a lot of her paintings are in private collections in France. And so she’s a name that we see less often. It’s a beautiful picture.” It has an estimate of £600,000 to £800,000.

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Bandcamp Lays Off Half Of Its Staff After Being Bought By Songtradr

The online music platform that is known for championing independent artists and labels, Bandcamp, has laid off half of its staff after the company was bought out by Songtradr, a music licensing startup. 

Songtradr wrote a statement confirming the purchase of Bandcamp from Epic Games last month: 

“This acquisition will help Bandcamp continue to grow within a music-first company and enable Songtradr to expand its capabilities to support the artist community.”

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Songtradr also announced the layoffs with the purchase of Bandcamp: “Over the past few years the operating costs of Bandcamp have significantly increased … After a comprehensive evaluation, including the importance of roles for smooth business operations and pre-existing functions at Songtradr, 50% of Bandcamp employees have accepted offers to join Songtradr.”

What this means is the remaining 50% of employees will not have their contracts renewed. 

Bandcamp was founded in 2007, and has been known as an online music store and community made up of more than five million artists and labels. The platform was acquired by Epic Games in March of last year. 

Bandcamp is also known for its support of underground unknown musicians, giving them a chance to reach more listeners and build a support network. Their editorial platform, Bandcamp Daily, also promotes music from “outside the mainstream.” In the entirety of the company’s lifespan, customers have spent $1.2 billion with an average of 82% of revenue going to artists and/or labels. 

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Bandcamp United, the company’s union, shared a statement online regarding the “heartbreaking” layoffs. 

“We love our jobs, the platform we’ve built, and the Bandcamp community. We’re glad we have our union – co-workers who have each other’s backs. We’ll be moving together to decide what our next steps are. On Wednesday we return to the bargaining table with Epic Games, and we’ll keep you updated.”

The union has also been trying to gain recognition from Songtradr. This month they also posted an online petition so they could begin negotiations with the new buyers to offer jobs to existing staff members. Two weeks before, Songtradr told the union they would not be extending job offers to all of Bandcamp’s staff. 

Songtradr was originally founded in 2014, and is a platform known for allowing musicians and publishers to upload music that can then be licensed by commercial spaces like brands and content creators. 

On the day that Songtradr purchased Bandcamp, Epic Games also announced they were laying off 16% of their global staff (around 830 individuals).