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American Eagle’s Sydney Sweeney Campaign Sparks Backlash Over “Great Genes” Wordplay

A new fall advertising campaign from American Eagle starring actress Sydney Sweeney has ignited a fiery wave of online criticism, with accusations that the brand is subtly promoting white supremacist ideas under the guise of wordplay.

The campaign’s slogan, “Sydney Sweeney has great jeans,” is a cheeky twist on “great genes,” nodding to both denim and DNA. In a widely circulated Instagram video from the brand, Sweeney stands in front of a poster emblazoned with the phrase “Sydney Sweeney has great genes.” As the video progresses, the word “genes” is scribbled out and replaced with “jeans.” The clip has already racked up over a million views on the platform.

In another promotional video, Sweeney leans into the pun further, narrating, “Genes are passed down from parents to offspring, often determining traits like hair color, personality, and even eye color.” The camera then pans up to her face as she finishes the line. “My jeans are blue.”

That line, paired with Sweeney’s blue eyes, blonde hair, and all-American image,  immediately drew the ire of some viewers on platforms like TikTok, X, and Threads. Critics accused the brand of pushing a eugenicist aesthetic and glorifying white genetic traits, with terms like “Nazi propaganda” and “white supremacy” appearing in many of the most viral commentary posts.

While the ad never references race, Hillary Herskowitz, CEO and Founder of H2 Marketing Group, told TODAY.com there is “no denying” that the phrase “carries historical baggage.”

“When you pair that kind of wordplay with a blond, blue-eyed actress, it can unintentionally reinforce narrow, Eurocentric beauty standards.”

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Neither American Eagle nor Sydney Sweeney has publicly addressed the backlash as of Tuesday morning. A representative for Sweeney declined to comment, and the retailer has not responded to media inquiries.

The campaign, announced last week, introduces a limited-edition fall collection co-designed with Sweeney, featuring a denim jacket and “The Sydney Jean,” which showcases a butterfly motif.

According to American Eagle, proceeds from the sales will go to Crisis Text Line, a nonprofit that provides 24/7 mental health support. The butterfly symbol was reportedly chosen to raise awareness for domestic violence, a detail that has largely been overshadowed by the controversy.

“In partnership with the brand, Sweeney’s long-time stylist Molly Dickson dresses her in AE denim essentials, reimagined to create the perfect blend of relatability and undeniable influence. The curated denim wardrobe feels distinctly Sydney – effortless, personal and true to how she wears AE,” American Eagle wrote in a press release.

“Sweeney’s girl-next-door charm and main character energy — paired with her ability to not take herself too seriously — is the hallmark of this bold, playful campaign.”.

While some have condemned the campaign’s messaging as racially insensitive and regressive, others have rushed to defend it or even celebrate it. Several conservative commentators have praised the ad as a “refreshing” departure from the wave of inclusive and diverse marketing campaigns that have come to define major brands in recent years.

The backlash to the backlash has turned the campaign into something of a cultural litmus test, with some critics being labeled as overly sensitive or “chronically online.” Herskowitz believes the campaign was meant to provoke a reaction.

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“[It was] intentional. That line — ‘good jeans’ — is too perfectly constructed not to be. It was designed to be cheeky, playful and buzzworthy. The creative team knew exactly what they were doing.”

This ideological divide over “wokeness” reflects a broader shift in the cultural landscape. In the post-2020 marketing world, where brands have often leaned into progressive values and inclusivity, there is a growing appetite on the right for media that centers white, traditionally attractive figures without explanation or apology.

The popularity of aesthetics like “old money,” the romanticization of the tradwife lifestyle, and a backlash to body positivity all reflect this shift, and Sweeney’s campaign appears to be caught in the crossfire.

The campaign had an immediate impact on American Eagle’s stock, which briefly rose following the announcement of the collaboration. However, in the days since, the company has posted more than a dozen Sweeney-focused pieces of content on social media, followed on Sunday by a noticeable shift.

In its latest Instagram post, American Eagle showcased a new model wearing a denim-on-denim look. Unlike the earlier clips, Sweeney was nowhere to be seen. The caption read: “Denim on denim on denim… on denim. AE has great jeans.”

Some users interpreted the post, which featured a model who appeared to be a person of color, as a subtle attempt at “damage control,” a phrase repeated throughout the comments. “Throwing in a little color for some razzle dazzle,” one commenter wrote. Another added, “Does she have great jeans, or is it only your blue-eyed customers?”

“Are we selling jeans to women or selling women in jeans to men?” another commenter wrote, referencing how the ad sexualized Sweeny. Earlier this year, Sweeny made headlines for selling a men’s soap infused with her own bathwater.

Whether this is a fleeting controversy or a lasting brand moment remains to be seen. What’s clear is that a pun intended to sell jeans has sparked a much deeper conversation.

Cop Car

‘Live P.D.’ Cancelled Amid Worldwide Protests Against Police Brutality

Television network A&E has announced this week that they will be cancelling their hit-series Live P.D. in wake of George Floyd’s death and the political unrest in this country regarding police brutality against black Americans.

The series itself was already on hiatus amid the covid-19 pandemic, like many other television series that are unable to film due to health concerns. Now, the network announced that the hiatus would remain permanent out of respect to their black viewers.

“This is a critical time in our nation’s history and we have made the decision to cease production on Live PD. Going forward, we will determine if there is a clear pathway to tell the stories of both the community and the police officers whose role it is to serve them. And with that, we will be meeting with community and civil rights leaders as well as police departments,” the network said in a statement.

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The cancellation decision was made by A&E and MGM’s Big Fish Entertainment, which is the production company that has always produced the series. Live P.D. isn’t the only reality-police television series getting the boot amid these worldwide protests against racism. The announcement of Live P.D.’s cancellation came just one day after the Paramount Network announced that they would be cancelling Cops; the show originally aired in 1989.

Initially, the plan was going to be to keep Live P.D. in its hiatus until they could have extended conversations with the community, police, and fans on the best way to keep the show alive while still respecting the protesters fighting for basic human rights across the nation. Ultimately, the network and production decided a complete cancellation was the only way.

This decision came after members of production realized there was no way to continue the show in its current form especially when protesters, politicians, and celebrities with massive platforms are all calling for a complete overhaul of the police system.

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Live P.D. has always been controversial, as black viewers often felt it purposefully demonized individuals of color while praising the officers for their aggressive means of arrest. More specifically, in March of 2019 Javier Ambler was murdered during a police stop which has been allegedly captured by the crew of Live P.D.; the video has since been destroyed.

That incident, however, barely impacted the network or show. In fact, before these nationwide protests began two weeks ago, A&E had actually renewed the series for another 160 episodes. This makes sense, as Live P.D. was cable’s #1 show on Fridays and Saturdays in 2019, and actually boosted the network ratings so much that A&E became one of the leading cable networks.

During the pandemic especially, the show received a massive spike in viewership, along with many other cable television programs. The show was receiving about 3 million viewers every weekend.

The host of the show, Dan Abrams, took to Twitter to express his disappointment in the decision to cancel, as he genuinely believed the network would be able to work out a solution. However, Abrams and fans were left disappointed. The future of all other police related television shows are still up in the air, but after Cops, which has been on for three decades, was cancelled, many programs aren’t so confident. Like all things pandemic related, only time will tell what the future holds for authoritative related television programming.