Stranger Things Final Season Pitch Made Netflix Executives Cry

Fans of Netflix hit series Stranger Things should brace themselves for an emotional final season. The creators of the show and several of its cast members hinted at what viewers should expect from a blockbuster Season 5 during a panel in Los Angeles Sunday night.

Creators Ross and Matt Duffer, executive producer Shawn Levy, and cast Millie Bobby Brown, Caleb McLaughlin, Priah Ferguson, Jamie Campbell Bower, Joseph Quinn and Eduardo Franco took part in the panel held at Tudum Theater.

The Duffer brothers revealed that the team had finished writing the season’s first episode, “The Crawl.” The crew also conducted a two-hour pitch meeting with Netflix execs to lay out the series ending, which left some executives in tears. According to Matt Duffer, just a few individuals know how the series will end.

“We did get our executives to cry, which I felt was a good sign that these executives were crying. The only other times I’ve seen them cry were like budget meetings.”

After submitting the first episode of the beloved series’ final season, Ross Duffer reflected on the show’s remarkable run.

“We turned in the first script a couple of weeks ago and we’re onto the second. It’s full steam ahead. I remember Season 1 we were just amazed that Netflix was letting us do this at all, but Season 2 was when we really, with the writers, we developed an overall plan and a back story for all of this and make sure that, with the Upside Down, everything about what it was.”

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Patton Oswalt, who served as the panel’s moderator, probed for information on Season 5’s emotional underpinnings. Fans hope the show will continue weaving 80s horror and pop culture references into its script.

“Five, the way we see it, is kind of a culmination of all the seasons, so it’s sort of got a little bit from each, whereas before each season was so distinctly … [Season] 3 is our big summer blockbuster season with big monsters, and [Season] 4 was the psychological horror. I think that what we’re trying to do is go back to the beginning a little bit, in sort of the tone of [Season] 1.”

Ross Duffer also shared that the last episodes of Season 5 will be comparable to Season 4 “scale-wise.” 

Season 4 of the series became the most expensive Netflix original created, costing around 30 million dollars to make each episode. In comparison, Breaking Bad Season 5 was 3.5 million dollars an episode, and Game of Thrones Season 8 was 15 million dollars an episode.

The series’ outstanding ratings among viewers and 12 Emmy wins suggest that the production costs were well worth it.

“Just as important as the supernatural, we have so many characters now, most of whom are still living. It’s important to wrap up those arcs because a lot of these characters have been growing since Season 1. So, it’s a balancing act between giving them time to complete their character arcs and also tying up these loose ends and doing our final reveals.”

Levy, the show’s executive producer, has praised the Duffer brothers’ dedication to the show over the years.

“As a witness and having been in that two-hour pitch room and having read this first script — I’m paralyzed with fear that I’ll spoil anything but I will say the thing about these Duffer Brothers is that even though the show has gotten so famous and the characters have gotten so iconic and there’s so much about the ’80s and the supernatural and the genre, it’s about these people, it’s about these characters. Season 5 is already so clearly taking care of these stories of the characters because that’s always been the lifeblood of Stranger Things.”

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Matt Duffer revealed in August that the creators were considering not adding any new cast members during the final season to retain the focus on the current ensemble. Some viewers have criticized the show in the past for its reluctance to kill off main characters, which seems  idealistic in a world filled with ravenous monsters.

“Whenever we introduce a new character, we want to make sure that they’re going to be an integral part of the narrative. So that’s something with Eddie this season, where we go, ‘Well, we need a character here for this storyline to really work, and to give it the engine that is needed.’ But every time we do that, we’re nervous, because you go, ‘We’ve got a great cast of characters here, and actors, and any moment we’re spending with a new character, we’re taking time away from one of the other actors.’ So we’re just very, very careful about who we’re introducing.”

David Harbour, who plays Jim Hopper in the series, believes the final season will be a “home run.” Harbour said that playing Hopper has been “the role of a lifetime in many ways” and that he is going to pour his “heart and soul” into playing him for the last time.

“I know those Duffer brothers are very specific, and I know they want to get that last season. I mean if you look at Season 4, I have a feeling that Season 5 may not be as long, but it certainly will be packed to the brim with good stuff that you love. I mean, they really are getting better at giving you that home run that the audiences love. And I think that Season 5 will do that so much.”

Broadway Sign

Steven Speilberg Is Bringing Hit TV Show “Smash” To Broadway

“Smash” was a NBC TV drama series that only lasted for two seasons, but for those two years that it was on television, it gained a loyal, yet small, fanbase that to this day has been waiting for some sort of revival from the beloved series. “Smash” has been off the air for about seven years now (its last episode premiered in May of 2013), however, it’s looking like fans will be thrilled to learn that their favorite show will be revived, but in a much more lively way.

Steven Spielberg, Robert Greenblatt (the chairman for WarnerMedia Entertainment), and Neil Meron (who produced the Broadway production of “Chicago” recently), all announced that they would be working on a new project titled “Smash, A New Musical,” and the three are looking for it to find its home on the Broadway stage. 

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Marc Shaiman and Scott Wittman are the Tony and Grammy-winning duo who wrote and produced over two dozen songs for the original television series, and they will also be returning to their former “Smash” roles through creating the score for the Broadway production. 

The Broadway production is meant to mimic the series in the sense that it will be a stage show that “will follow the efforts to mount ‘Bombshell,’ the Broadway musical-within-a-musical about the life of Marilyn Monroe,” according to Spielberg. However, the creators also want to make sure that the plot deviates from the original series so it’s not overly predictable, especially for those loyal die-hard fans that will surely be lining up down the block the second Broadway is reopened. 

The characters of Julia, Tom, Ivy, and Karen (portrayed in the television production by Debra Messing, Christian Borle, Megan Hilty, and Katharine McPhee), will all be in the play production, and will be just as central to its storyline as the television series. Besides those key details, Speilberg and his team are trying to keep other aspects of the play under wraps until the play is actually able to open. 

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Bob Martin, who helped write the Tony winning music ‘The Prom’, and Rick Elice, known for his writing in “Peter and the Starcatcher”, will be writing the musical’s book itself, and Joshua Bergasse, who has won an Emmy for his work choreographing the “Smash” television show, will also be returning to choreograph the play as well. 

“I am personally thrilled to be a part of this musical and its road to Broadway, ’Smash’ is near and dear to my heart, and it seems fitting that a new musical inspired by what we did on the show would eventually come to the stage. I’m beyond thrilled to be working with this incredible creative team and my producing partners, who began the ‘Smash’ journey with me over ten years ago,” said Spielberg, whose original idea led to the NBC series in 2012. 

When it was on TV, “Smash” was pretty well-received by critics, however, due to backstage conflicts between the show’s creative team and Theresa Rebeck, the show’s creator, which led to her quitting, the show suffered and lost a majority of its audience. Since then, the series circle of supporters has only gotten larger, as the show has begun to appear on a multitude of streaming services since going off the air. 

Obviously, there’s no real timeline as to when this revived “Smash” production will hit the Broadway stage, because there’s no real timeline for when Broadway will reopen in general amid the Covid-19 pandemic. For now, fans can rewatch the series online while we wait.