‘Adolescence’ Will Be Used in UK Classrooms to Address “Incel” Culture and Youth Misogyny
The creators of the Netflix phenomenon “Adolescence” have ignited an important dialogue about protecting children from violent misogyny and harmful social media influences, resonating strongly across Britain and internationally.
This week, British Prime Minister Keir Starmer met with the show’s producers at Downing Street to discuss child protection measures. Starmer strongly supports Netflix’s initiative to provide free access to the series in secondary schools nationwide, aiming to maximize its educational reach.
“Adolescence,” which premiered in March, has quickly become one of the UK’s most influential recent dramas, accumulating over 66 million views globally. Filmed in England, the narrative revolves around complex issues arising from the tragic murder of a teenage girl allegedly committed by a 13-year-old classmate. It critically examines the role that hidden social media interactions, often beyond parental and teacher oversight, might have played in fueling violent behaviors.
Starmer, reflecting on watching the show with his teenage children, described the experience as challenging but vital. He believes sharing the drama in schools “ will help students better understand the impact of misogyny, dangers of online radicalization and the importance of healthy relationships.”
“It seems like the whole nation is talking about ‘Adolescence’ and not just this nation. As a dad, I have not found it easy to watch this with children because it connects with the fears and worries that you have as parents and adults. There isn’t one single policy lever to pull. It’s actually a much bigger problem than that. And that’s the devastating effect that the problem of misogyny has on our society.”
Jack Thorne, co-writer of the series, emphasized that sparking meaningful conversations was a key intention behind the production.
“So to have the opportunity to take this into schools is beyond our expectations. We hope it’ll lead to teachers talking to the students, but what we really hope is it’ll lead to students talking amongst themselves.”
Thorne initially began working on the project roughly two and a half years ago after actor Stephen Graham, who stars as the accused boy’s father, reached out, deeply troubled by a series of violent crimes where young boys had stabbed girls to death. They initially struggled to find motivation for Jamie Miller, the central character portrayed by Owen Cooper, until an assistant suggested investigating the culture of incels—men who self-identify as involuntarily celibate and harbor resentment towards women online.
Thorne described spending six months immersed in incel forums using a burner phone and new social media accounts, uncovering disturbing beliefs. He discovered the troubling arithmetic of incel logic—the belief that 80 percent of women were attracted to just 20 percent of men, pressuring young men to manipulate women to gain relationships and sexual partners. This research, he said, left him deeply concerned about his own son, now eight, encountering such toxic ideas online.
Graham emphasized that the show intended to reveal the ordinary circumstances underlying horrific events. Rather than quickly blaming family backgrounds when youth violence occurs, Graham urged society to consider a broader perspective.
“What if it’s not the family? We’re all maybe accountable. School. Society. Parents. Community.”
Soma Sara, founder of Everyone’s Invited, a charity dedicated to exposing sexual violence and what she names as “rape culture” among children, highlighted alarming data indicating these issues emerge even among children under ten years old. Misogynistic attitudes may be difficult to change by the time children turn 13.
The organization has documented thousands of troubling testimonies from girls and young women detailing harassment, groping, assault, sexist name-calling, and abuse occurring on school premises. Around 1,600 of those cases occurred in elementary schools.
“The testimonies show how early this starts, and how it’s children abusing children — that’s just the devastating reality.”
She argued against outright bans on social media for minors, calling them unrealistic. Instead, her organization advocates comprehensive education in schools, teaching young people how to critically evaluate the pornography, misogynistic content and harmful stereotypes they are exposed to online.
“We feel the generational gap has never been wider. Parents need to be digitally literate themselves, and understand all these apps — Snapchat, YouTube, Instagram, TikTok — because that’s what your children are spending hours scrolling.”
The remarkable impact of “Adolescence” coincides with heightened scrutiny over the damaging effects of smartphones and social media platforms, especially given the prominence of controversial figures such as Andrew and Tristan Tate, who encourage misogynistic perspectives and face serious charges of human trafficking and exploitation.
Recently, Gavin Stephens, Chair of the National Police Chiefs’ Council, stressed, “The harmful effect of Tate is plain to see.”
The UK’s police currently record over a million incidents of violence against women and girls each year—constituting one-fifth of all reported crimes.
Sara concluded, “What ‘Adolescence’ makes clear is that when young people are implicated in violence, accountability extends far beyond individuals. We all bear responsibility.”

Moumita Basuroychowdhury is a Contributing Reporter at The National Digest. After earning an economics degree at Cornell University, she moved to NYC to pursue her MFA in creative writing. She enjoys reporting on science, business and culture news. You can reach her at moumita.b@thenationaldigest.com.



