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Residents Of The Bronx Claim Their ‘Childhood’s Are Being Erased’ With Only One Movie Theater Left In The Borough

Movie lovers throughout the Bronx are disappointed with the fact that the borough now only has one remaining movie theater. Many residents are claiming that they’re sad to see a fun childhood staple being taken away from not only them, but the younger generation to experience.

hogwarts

Daniel Radcliffe Produces Film About Paralyzed Harry Potter Stunt Double

Daniel Radcliffe, renowned for his portrayal of the beloved wizard Harry Potter, is producing a new documentary about his stunt double, David Holmes. While filming The Deathly Hollows—Part 1 in 2009, Holmes suffered a devastating injury on set that left him paralyzed from the chest down.

The documentary, “David Holmes: The Boy Who Lived,” will feature interviews with Radcliffe, friends, family, and former crew, as well as personal footage from Holmes’ life over the last decade.

Its synopsis reads, “The film is a coming-of-age story of stuntman David Holmes, a prodigious teenage gymnast from Essex, England, who is selected to play Daniel Radcliffe’s stunt double in the first ‘Harry Potter’ film when Daniel is just 11.”

“Over the next 10 years, the two form an inextricable bond, but on the penultimate film, a tragic accident on set leaves David paralyzed with a debilitating spinal injury, turning his world upside down. As Daniel and his closest stunt colleagues rally to support David and his family in their moment of need, it is David’s extraordinary spirit of resilience that becomes their greatest source of strength and inspiration.”

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In an interview with the Mirror in 2014, Holmes described the “jerk back” stunt that had gone wrong, in which he was to be pulled backward “at speed” by a high-strength wire to simulate the effects of an explosion. Holmes instead was launched into a wall, breaking his neck.

Warner Bros. Discovery released a statement about the documentary, sharing more about what the film will entail.

“Featuring candid personal footage shot over the last decade, behind-the-scenes material from Holmes’ stunt work, scenes of his current life and intimate interviews with David, Daniel Radcliffe, friends, family and former crew, the film also reflects universal themes of living with adversity, growing up, forging identities in an uncertain world and the bonds that bind us together and lift us up.”

On Tuesday, Holmes posted on his Instagram about the documentary, stating, “I can now share with you all the secret project and four years’ hard work that has gone into creating this film: THE BOY WHO LIVED.”

“Being a stuntman was my calling in life, and doubling Harry was the best job in the world. This film tells the story of not just my achievements in front of camera, but also the challenges I face every day, and my overall attitude to life after suffering a broken neck. In the turbulent world we find ourselves living in right now, I would like to quote Harry; ‘We are only as strong as we are united, as weak as we are divided.’”

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Holmes also thanked medical staff, Radcliffe and Harry Potter author, JK Rowling, for their support. Writing about Radcliffe, he expressed they were both “immensely proud of our time on the Harry Potter films, and the joy and comfort it brings to audiences around the world on a daily basis.”

In 2020, Radcliffe and Holmes teamed up to launch Holmes’ Cunning Stunts podcast, which profiles interviews with other Hollywood stunt performers. While attempting to debunk a common misconception about stunt performers, Radcliffe said in one episode, “I think there’s a myth around stuntmen that they are just superhuman in some way.”

“When the public sees something really painful or horrible, they think it was a visual effect or that there’s some clever, safe way of doing it. Often that’s not the case. There’s no way of faking, for example, falling down stairs. When you get hit by a car, you’re still getting hit by a car, even if it’s going slower than it would. They find the safest way of doing it, but it can still hurt.”

Radcliffe is serving as the documentary’s executive producer. The film, directed by Dan Hartley, makes its premiere on HBO, including HBO Max, on Nov. 15.

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Netflix Backtracks on Password Sharing Guidelines Following Backlash

Less than a week after Netflix announced new rules aimed at cracking down on password sharing amongst users, the streaming service is backtracking its new guidelines, claiming they were posted in error.

In preparation for its upcoming policy to limit password sharing on the service, Netflix updated its help center page to list new restrictions. Some have been retracted after Netflix received intense backlash from its user base.

The streaming giant has been testing out its new policy on account sharing in Chile, Costa Rica, and Peru over the last year. Starting in March, viewers in America will also be subject to the new regulations.

Users will be required to designate a “primary location” for all profiles in their household, as per the new rules. Anyone who wishes to use the same account in a different location will be required to pay a fee.

Netflix plans to use device IDs, IP addresses and account activity to confirm a viewer’s location.

The updated help center page added a new requirement that users log in to their primary location’s Wi-Fi once every 31 days to avoid having their devices blocked. Users who are traveling would need to use temporary codes, which would expire after seven days.

“A Netflix account is for people who live together in a single household. People who do not live in your household will need to use their own account to watch Netflix.”

Many subscribers threatened to cancel upon hearing about the new updates. Some took to social media to share their outrage. One Twitter user tweeted questioning how this would apply to students.

“This new @Netflix anti-password sharing rule is so stupid. What about students? What about people who travel? I literally pay for one and won’t be able you use my own account after 30 days of leaving home?? Make it make sense.”

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Netflix claimed that the new updates were posted in error. They also added that no official announcements have been made outside of the countries where the tests are currently being conducted.

“For a brief time last Tuesday, a help center article containing information that is only applicable to Chile, Costa Rica, and Peru went live in other countries. We have since updated it.”

The investment firm Jeffries recently surveyed 380 Netflix password borrowers and found that 62% of them said they would no longer use the service after the new regulations rather than sign up for a new account or pay a fee.

Only 10% of respondents said they would sign up for a new account, suggesting that password-sharing users may be hesitant to switch to paid plans.

Over a third (35%) of respondents said they could just as easily replace Netflix with another service and another 31% said they do not find the content compelling enough to pay to consume.

When polled about which competitor’s platform they would use in its place, the top answers were Amazon Prime Video (42%), Hulu (35%), and Disney+ (26%).

Jadon Helfstein, head of internet research at Oppenheimer, told Yahoo Finance Live in an interview on Monday that he believes this will still be a net positive for the company.

“The bottom line is there’s a massive amount of password sharing, particularly among affluent people…We do think a good chunk of [Netflix] subscribers will probably pay more to keep certain members of their household or, let’s say, their children who no longer live with them, on their plan.”

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He added that the company would not be doing this if they thought “they would end up in a worse revenue situation.”

“The reality is people have taken advantage of it. Sharing your Netflix account with 20 other people is probably not what the company had in mind, [but] if people are reasonable and share this with five, six people in their family? I think it’s going to work out.”

The updated help center page now lists, “If you are traveling or live between different homes, we want you to be able to enjoy Netflix anywhere, anytime.”

“If you are the primary account owner (or live with them), you shouldn’t need to verify your device to watch Netflix. If you are away from the Netflix household for an extended period of time, you may be occasionally asked to verify your device. We ask you to verify to make sure that the device using the account is authorized to do so.”

To verify a viewing device, Netflix will send a link to the primary account owner’s email address or phone number with a 4-digit verification code. The code will then need to be entered on the device that requested it within 15 minutes. Once authorized, the device can be used to watch Netflix, but device verification may be required periodically.

According to a Netflix shareholder letter from last month, more than 100 million households share passwords, with 30 million residing in the U.S. and Canada.

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Netflix Will Start Charging Users for Password Sharing in March

Netflix will stop subscribers from sharing passwords with members living outside their homes as early as March this year. The streaming giant claims that the widespread sharing of passwords affects its ability to evolve the platform.

In a letter to shareholders late last week, the company said it would “roll out paid sharing more broadly” late in the first quarter of 2023.

“Today’s widespread account sharing (100 million + households) undermines our long-term ability to invest in and improve Netflix and build our business. While our terms of use limit the use of Netflix to a household, we recognize this is a change for members who share their accounts more broadly. So we’ve worked hard to build additional new features that improve the Netflix experience.”

Members will still “have the option to pay extra if they want to share Netflix with people they don’t live with.” Otherwise, subscribers can transfer an existing user profile to a new account, allowing viewing history, recommendations, the “my list” feature and other data to be copied over.

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Netflix previously hinted at discontinuing its password-sharing feature back in July 2022. The company described last year as “tough.” In the first quarter, it suffered its first subscriber loss in over a decade, losing 200,000 users.

The company has not disclosed the fee it will charge for password sharing nor stated how they plan to enforce the new pricing structure. Currently, Netflix can tell when users log in outside their primary household based on their IP address, device IDs, and other information.

In March 2022, Netflix rolled out paid sharing in Costa Rica, Chile, and Peru, charging users a fee to add two “subaccounts” to a primary account. Users found the policy confusing, and many could still share their passwords without repercussions. 

An anonymous Netflix customer service representative told Rest of World that “she was instructed that if a subscriber called arguing that someone from their household was just using the account from another location, she should inquire further and tell the subscriber that they could use their account without extra charge via a verification code.” Many of the representatives still needed more clarification about the policy.

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Other users in those countries canceled their subscriptions after receiving news of the oncoming fee. The shareholder letter stated that Netflix expects engagement to fall in the short term but will pick back up soon after.

“As we work through this transition – and as some borrowers stop watching either because they don’t convert to extra members or full paying accounts – near-term engagement, as measured by third parties like Nielsen’s The Gauge, could be negatively impacted. However, we believe the pattern will be similar to what we’ve seen in Latin America, with engagement growing over time as we continue to deliver a great slate of programming and borrowers sign-up for their own accounts.”

The anticipated sharing fee comes on the heels of a new subscription tier that Netflix started offering in November, which provides customers with a cheaper “Basic With Ads” subscription option. In exchange for $3 off a monthly subscription, viewers are served up to five ads an hour. Netflix claims that rolling out the new option led to member growth.

“Engagement, which is consistent with members on comparable ad-free plans, is better than what we had expected, and we believe the lower price point is driving incremental membership growth. Also, as expected, we’ve seen very little switching from other plans. Overall the reaction to this launch from both consumers and advertisers has confirmed our belief that our ad-supported plan has strong unit economics (at minimum, in-line with or better than the comparable ad-free plan) and will generate incremental revenue and profit, though the impact on 2023 will be modest given that this will build slowly over time.”

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Alec Baldwin to Be Charged With Involuntary Manslaughter for ‘Rust’ Set Shooting

Prosecutors announced that they will charge actor Alec Baldwin with two counts of involuntary manslaughter for the fatal shooting of cinematographer Halyna Hutchins on the set of “Rust.” The film’s armorer, Hannah Gutierrez Reed, is facing the same charges.

Hutchins was killed in October 2021 when a prop gun Baldwin was holding fired a live round of ammunition, hitting Hutchins in the chest and wounding director Joel Souza.

The prosecution is accusing the pair of failing to take the necessary firearm safety precautions to avoid such a tragic accident. According to Reed’s lawyer, the set armorer believed that the rounds were dummy ammunition or “blanks.” 

Baldwin maintains that he did not pull the trigger and was unaware that the gun contained live rounds. However, an FBI forensics report stated, “the weapon could not be fired during FBI testing of its normal functioning without pulling the trigger while the gun was cocked.”

New Mexico First Judicial District Attorney Mary Carmack-Altwies said that both Baldwin and Reed were responsible for checking the safety of the prop. In addition to starring in “Rust,” Baldwin is also credited as its producer.

“Every person that handles a gun has a duty to make sure that if they’re going to handle that gun, point it at someone and pull the trigger, that it is not going to fire a projectile and kill someone.”

She added, “nobody was checking those, or at least they weren’t checking them consistently.” 

“And then they somehow got loaded into a gun and handed off to Alec Baldwin. He didn’t check it. He didn’t do any of the things that he was supposed to do to make sure that he was safe or that anyone around him was safe. And then he pointed the gun at Halyna Hutchins, and he pulled the trigger.”

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Baldwin and Reed are facing two counts of involuntary manslaughter. The charges vary in severity and carry separate terms of punishment. 

In a statement issued by the district attorney, Baldwin and Reed will be “charged in the alternative,” which means the jury will have to decide whether or not they are guilty and, if so, on which charge.

A conviction of involuntary manslaughter is punishable by up to 18 months in jail and a $5,000 fine. One of the charges carries additional punishment since a gun was involved, requiring a mandatory sentence of five years in prison. If convicted, they will only be sentenced to one count.

Carmack-Altwies told CNN that the charges would be formally filed by the end of the month. The two will not be arrested, but they will be summoned to appear in court. 

Baldwin’s lawyer, Luke Nikas, said the charges were a “terrible miscarriage of justice.”

“Mr. Baldwin had no reason to believe there was a live bullet in the gun — or anywhere on the movie set. He relied on the professionals with whom he worked, who assured him the gun did not have live rounds.”

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Formal federal prosecutor Duncan Levin told The Daily Beast that the charges are a reflection of Baldwin’s celebrity status.

I think this is an example of a prosecutor trying to make an example out of somebody who is famous and in the public eye. Clearly, a tragic incident happened, and somebody’s responsible, but I think that charging Alec Baldwin with a crime has a lot to do with the fact that he is Alec Baldwin.”

Los Angeles entertainment attorney Tre Lovell told The Daily Beast that movie sets are “different from the real world” and that Hollywood’s “rules and protocols” outline who is responsible for what at every stage of production. Actors are not in charge of inspecting the safety of props. The Screen Actors Guild would never approve of actors being tasked with inspecting their own equipment. 

CNN senior legal analyst Elie Honig said that the prosecution would have to overcome significant hurdles to win the case. Some of these include not knowing how live rounds made it onto the set in the first place and reconciling differing viewpoints on how much responsibility actors and crew members carry.

“Remember, this is a criminal case. You need all 12 jurors to find guilt beyond a reasonable doubt. So I’m not saying that there’s no chance here, but this is a really difficult case for the prosecution.”

Brian Panish, a lawyer representing the Hutchins family, expressed gratitude for the prosecution bringing forward these charges. 

“It is a comfort to the family that, in New Mexico, no one is above the law. We support the charges, will fully cooperate with this prosecution, and fervently hope the justice system works to protect the public and hold accountable those who break the law.”

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Movie Theater’s Across The Country Celebrate “National Cinema Day” With Cheap Tickets

All across the country, movie tickets are only going to cost $3 for National Cinema Day.

The Cinema Foundation noted that this is in efforts to help encourage people to once again return to the movie theaters.

“More than 3,000 theaters with over 30,000 screens will offer tickets for $3, excluding tax, across all formats and show times on Sept. 3,” said The Cinema Foundation. 

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Labor Day weekend has been considered one of the slowest weekends throughout the year for movie theaters. Throughout the summer, movie theaters have seen low attendance even though it has been higher since they first reopened post-pandemic.

“After this summer’s record-breaking return to cinemas, we wanted to do something to celebrate moviegoing,” said Jackie Brenneman, Cinema Foundation president.

National Cinema Day also acts as a gift of thanks due to the high success of recent releases like “Top Gun: Maverick,” “Minions: Rise of Gru,” “Doctor Strange in the Multiverse of Madness” and “Jurassic World: Dominion” which brought in roughly $1.8 billion. 

“We’re doing it by offering a ‘thank you’ to the moviegoers that made this summer happen, and by offering an extra enticement for those who haven’t made it back yet.”

Theater companies like AMC and Cinemark are adding to the mix with concession specials that they are offering on Saturday. 

According to CBS News, AMC is going to offer a fountain drink and popcorn combo for only $5. Cinemark is continuing with the theme for National Cinema Day by offering a medium ICEE, candy or a small popcorn for only $3. 

As a small preview, exclusively on Saturday, theaters will be showing sneak peeks and clips from several major studios with some of the upcoming films that are set to debut in the upcoming fall and winter months.

Movie theaters have taken a notorious hit over the last few years due to COVID and the theatrical releases coming out in “hybrid” form both in theaters and on streaming platforms. 

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Even with the lower than average movie theater attendants, the summer also saw a number of people coming to watch the big blockbusters like “Thor: Love and Thunder” and “Nope.”

According to Comscore, this past summer’s box office was $3.027 billion.

In total, movie theaters have found that the domestic box office has brought more than $5.2 billion and its set to beat 2021.

The organizers of National Cinema Day have noted that the event is set to act as a “trial” to see the response from theatergoers around the country. If the results are successful, it could become an annual event. 

Movies

‘Jurassic World Dominion’ Receives $245 Million At International Box Office 

Universal’s “Jurassic” franchise is once again proving why it’s become one of the most popular series since the 1990’s. “Jurassic World Dominion,” the sixth installment in the long-running series, received $176 million from 72 international markets over the weekend, bringing its international total to $245 million. 

When combined with its domestic earnings of $142 million, the film currently stands with $389 million and is likely to cross the $400 million threshold soon. 

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“Dominion” opened in 57 foreign markets this past weekend, including China, which has been increasingly hostile when it comes to showing Hollywood films. The movie received $52 million in China during its opening weekend. 

China has chosen to import a very select amount of movies since the beginning of the pandemic, so “Dominion” is already set to be the biggest non-local release in 2022. 

“Other top-grossing territories include the U.K. and Ireland with $15.4 million, France with $9.7 million, Australia with $8.5 million and Germany with $7.5 million,” according to Variety.

“Dominion” had a production budget of $185 million, and a promotion budget of $100 million. 

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Another movie that’s continuing the legacy of its original cinematic predecessor is “Top Gun: Maverick,” which earned itself nearly $747 million in international box office sales, passing the original “Top Gun’s” sales of $700 million. 

Within its third weekend of release, the blockbuster starring Tom Cruise earned itself $52.7 million from 64 international markets. According to Variety, “‘Maverick’ has raked up the most tickets in the U.K. ($63 million so far), followed by Japan ($33.9 million), Australia ($32.6 million) and France ($28.7 million).”

Worldwide box office revenue has been on a high as of late. Disney’s “Doctor Strange in the Multiverse of Madness” earned itself $930 million in global ticket sales after last weekend, making it the highest grossing movie of the year.

This is an especially impressive feat as both China and Russia have decided not to show the newest Marvel movie and they account for a large portion of the international box office numbers.

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How Cinemas Are Going Above And Beyond To Lure Moviegoers Back 

Compared to 2019, domestic movie ticket sales for the first four months of 2022 show a 44% decrease, however, cinemas are seeing a significant increase in ticket purchases when compared to last year. 

“Blockbuster titles like Warner Bros.′ ‘The Batman,’ Paramount’s ‘Sonic 2’ and the Marvel-Sony’s ‘Spider-Man: No Way Home’ have led to a 338% increase in ticket sales from 2021, reaching $1.95 billion,” according to data from Comscore.

Cinema operators were excited to hear all the new titles coming out this year, and were reassured by studios that they will continue to receive a large number of theatrical exclusives going forward. Operators were also told about the plans certain studios have for the future at CinemaCon last week. 

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The annual convention hosted at Caesar’s Palace in Las Vegas was seen as a major success after multiple studios expressed their excitement for showcasing a diversity of content in the coming year. 

Movie theater owners, however, have to be more individually creative in order to market their movies to citizens who are still hesitant about returning to the theater. Many theaters have offered exclusive food and drink deals, as well as flexibility regarding the content they show at the theater. 

For larger chains such as AMC, Regal, and Cinemark, live events like concerts, sports and gaming are being used to draw moviegoers back to the cinema. 

AMC announced that it would be investing $250 million into Cinionic’s laser projectors to be placed in 3,500 of its locations in the US by 2026. This technology offers brighter and crisper imaging, and makes it easier for the operators, as the bulbs don’t need to be replaced multiple times a year like more traditional projectors. 

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“We wanted to make a bold, straightforward statement to remind moviegoers of that immersive, communal, multi-sensory experience that you can only get by seeing a movie in a theater,” said Alicia Cook, director of advertising at AMC Theatres, during a CinemaCon panel.

Smaller chains with less access to large sums of money to invest in have gotten creative in creating a better theatrical experience for their audiences. 

“We are more nimble than the larger organizations. I think our superpower is eventizing but also creating those experiences around going to the movies. So, we do crazy stuff,” said Rich Daughtridge, president and CEO of Warehouse Cinemas.

Daughtridge said “promotions range from offering margaritas with movie tickets to special daddy-daughter date night showings. Mid-pandemic, we  capitalized on the release of Solstice Studio’s ‘Unhinged’ by hosting a car smash event during the film’s fifth week in theaters.”

“I think as marketers we tend to say ‘this movie is playing,’ ‘this movie is playing. I think from an engagement perspective, let’s talk a little bit more about why going to the movies is a good thing to do … I think the messaging that we are trying to do to create that engagement is more about why moviegoing makes sense versus just what movie is playing,” Daughtridge said.

Major Hollywood Union Votes To Ratify Contracts For Better Streaming Payments

The International Alliance of Theatrical Stage Employees (IATSE), a major Hollywood union, have ratified their new film and TV contracts this week after six months of contentious negotiations with the Alliance of Motion Picture and Television Producers (AMPTP). LA locals rejected the deal in a popular vote. 

“From start to finish, from preparation to ratification, this has been a democratic process to win the very best contracts,” said IATSE International President Matthew Loeb in a statement today. 

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“The vigorous debate, high turnout, and close election, indicates we have an unprecedented movement-building opportunity to educate members on our collective bargaining process and drive more participation in our union long-term.”

AMPTP released a statement as well, stating: “We congratulate IATSE President, Matt Loeb, the IATSE Bargaining Committee and Board for their leadership in achieving ratification of the new contracts. Throughout the negotiations, IATSE leadership advocated changes to improve quality of life for those they represent. These agreements meaningfully reflect the industry’s endorsement of those priorities and keep everyone working.”

The union uses an electoral college system for ratification votes such as this one. During this particular vote, 359 (56%) voted in favor compared to 282 (44%) who voted against it out of 641 total delegate votes; the votes were taken from 36 local unions nationwide that were eligible.

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The Basic Agreement was rejected in the popular vote with 49.6% voting yes to 50.4% voting no. Overall 50.3% voted yes to 49.7% voting no for both contracts. In the end, “72% of the 63,209 eligible members cast digital ballots this weekend,” according to IATSE.

According to media reports, “there were actually two separate contracts that were ratified: the Basic Agreement, which covers 13 Hollywood locals, and the Area Standards Agreement, which covers 23 locals outside of Los Angeles.”

“For the LA centric Basic Agreement, the vote was 256 voting for the deal that IATSE made with the AMPTP last month, yes to 188 no. In regards to the non-LA based Area Standards Agreement the yes vote was 103 to 94 no votes for the more recent deal,” according to Deadline. 

“Our goal was to achieve fair contracts that work for IATSE members in television and film—that address quality-of-life issues and conditions on the job like rest and meal breaks. We met our objectives for this round of bargaining and built a strong foundation for future agreements,” Loeb stated. 

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Must-See Films From Sundance 2021 That You Can Stream A Home

While the Sundance Film Festival may have looked a little different this year due to the Covid-19 pandemic, filmmakers from all over were still able to show off their magnificent works and make it available to individuals at home who are riding out the rest of this pandemic. Here’s a list of some of the most talked-about films that premiered at Sundance 2021:

“The Blazing World” – Carlson Young has made her feature directing debut this year with the short “The Blazing World.” The film stars Young herself, along with cult film icon Udo Kier, Dermot Mulroney, Vinessa Shaw, and singer/songwriter/actress Soko. Young plays a woman haunted since childhood by the accidental drowning of her twin sister. When her self-destructive path leads her to an alternate dimension where her twin sister may still be alive, adventure ensues.

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“Bring Your Own Brigade” – Lucy Walker is no stranger to Sundance, and has actually premeried ten films at the event over the years. This year, she’s releasing a film about the causes of wildfires, and takes her film crew into dangerous disaster zones to talk to actual firefighters and residents of places like Paradise, California; which was completely destroyed by the 2019 wildfires in California. 

CODA” – Siân Heder’s newest coming-of-age story follows British actress Emilia Jones, who plays the child of two deaf parents who is torn between helping them manage their day-to-day tasks, and following her musical ambitions. 

“Eight for Silver” – British filmmaker Sean Ellis is back with his newest entry into the evolving “contemporary period horror canon.” This film is a modern werewolf tale that also paints a gothic portrait of a community coping with unexplainable horrors brought on by these mythical creatures. The film contains curses, magic, and other gothic elements that really transports the viewer to another time. 

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“Flee” – Director Jonal Poher Rasmissen’s new animated documentary follows the experiences of a gay refugee from the Middle East who attempt to rebuild his life in Denmark. According to reviewers who have seen the film, “Rasmussen blends a colorful, hyper-real style with personal recollections as its subject struggles to reconcile his troubling past with a stable present. The drama extends across decades, following its evolving character from a war-torn childhood through the many changes that follow.”

“How It Ends” – Zoe Lister-Jones and Daryl Wein are no stranger to Sundance, and this year they’re returning with a comedy film that is appropriately about the end of the world. The partners wrote, directed, and starred in the film alongside Olivia Wilde, Fred Armisen, Helen Hunt, Lamorne Morris, and Cailee Spaeny. The film is set in LA on the last day of earth, and follows  “one woman [who] goes on a journey through LA to make it to her last party before the world ends, running into an eclectic cast of characters along the way.”

“In The Earth” – Ben Wheatley, known for his film “Kill List,” is back with a film inspired by the Covid-19 pandemic. The movie follows actor Joel Fry who plays a park scout who joins a scientist on a walk in the woods on a terrible night. What exactly is in the woods that caused the two to fight for their lives? You’ll have to watch to find out…