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Christopher Nolan Says AI Will Never Replace Humans: ‘It’s Nonsense’

Christopher Nolan is having another iconic year with his most recent film The Odyssey. During promotion for the film, Nolan addressed the rise in artificial intelligence in the entertainment industry, standing firm in his belief that people “disdain” the technology, and the idea that it will fully replace humans is “nonsense.”

dog

Dog Wins Acting Award at Astra Film Awards, Beating Ethan Hawke and Alison Brie

At the 9th Annual Astra Film Awards earlier this month, Indy the Dog, the canine star of the horror film Good Boy, won Best Performance in a Horror or Thriller, outperforming a field of human nominees that included Ethan Hawke and Alison Brie.

Indy, a Nova Scotia Duck Tolling Retriever, appears in Good Boy as himself, playing a loyal dog determined to protect his chronically ill owner, Todd (Shane Jensen), from a supernatural presence threatening their rural home. The film also stars Arielle Friedman, Larry Fessenden, and a Golden Retriever named Max.

Directing that performance was far from straightforward. Speaking previously with Entertainment Weekly, filmmaker Ben Leonberg said principal photography stretched across more than 400 days over three years, largely due to the unpredictability of working with a dog who had no awareness of the camera or the story.

“Controlling his motion was always challenging, and there are times where, what I want him to do is walk into a room and freeze because he sees something alarming — and we’re saying ‘whoa,’ like dog-speak for ‘stop.’ But instead, he just keeps going and appears to plow into the supernatural force or jump up or gleefully run into what is supposed to be the supernatural scary thing.”

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That unpredictability, Leonberg noted, was something no human actor would have brought to the role.

“I would say there were times when he would bring an energy so different [than what we needed],” he said. “And again, he doesn’t know he’s in a movie, which is the joy and the challenge of this all.”

Those challenges ultimately paid off. At Friday’s ceremony, Indy claimed the Astra Award in a category that included Ethan Hawke (The Black Phone 2), Alison Brie (Together), Alfie Williams (28 Years Later), Sally Hawkins (Bring Her Back), and Sophie Thatcher (Companion).

The moment was marked with a pre-recorded acceptance message in which Indy appeared wearing a black bow tie as Leonberg accepted the award on his behalf.

“Hi, I’m Ben Leonberg, the director of Good Boy, here with my dog, the goodest boy himself. On behalf of Indy, we are so thrilled to be recognized for his work in a movie he does not totally understand he was in.”

Leonberg used the speech to reflect on what the nomination and win represented for the genre more broadly.

“This award and incredible group of nominees reflects the freedom that horror gives performers — and, in our case, trainers — to play, experiment, and push the boundaries.”

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He also described horror as a genre driven by innovation, calling it one that is “fueled by originality and reinvention, and by audiences who are the most eager to see something new” within an ever-changing film landscape.

“To be recognized alongside such amazing actors as Alison Brie, Ethan Hawke, Sophie Thatcher, Sally Hawkins, and Alfie Williams is incredible. Indy is honored to accept this award — especially knowing that he’s standing in alongside performers who didn’t even need to be bribed in order to hit their marks.”

The director also acknowledged the team behind the film, crediting the cast and crew for helping translate Indy’s instinctive behavior into a performance that resonated onscreen.

“To Good Boy‘s amazing cast and crew, your patience, generosity, and belief made every moment work onscreen,” Leonberg said. “Indy, quite literally, could not have done this without you.”

He closed the remarks by saying, “Thank you again, we are so, so delighted.”

disney

Disney Surpasses $5 Billion In Global Box Office For 2024, First Studio To Do So Since Pre-Pandemic 

Disney has topped the box office consistently throughout 2024, both domestically and internationally. It became the first studio of 2024 to hit $2 billion at the domestic box office, and based on current estimates, Walt Disney Studios has reached $5 billion globally. 

The current worldwide estimate is $5.06 billion in earnings, and of that, $2.054 billion has come from North America and $3.006 billion from the international box office. 

Disney is expected to be the only studio to reach this box office amount in 2024. This is also the first time that any studio has surpassed $5 billion worldwide since 2019, before the pandemic. This also marks the sixth time that Disney has grossed more than $5 billion globally since 2010, according to reports from Deadline

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Pixar’s Inside Out 2 was one of the biggest movies to come out of Disney this year. Deadline reported that it was the number one movie of the year worldwide and the biggest animated film ever domestically, internationally, and globally, currently standing at $1.699 billion.

Marvel’s Deadpool & Wolverine gained $1.388 billion at the global box office. The film became the number one rated-R movie of all time globally based on these earnings. Moana 2, a more recent release, is estimated to make above $719 million. 

“Among other notable movies Disney has released this year are Kingdom of the Planet of the Apes ($398 million global) and surprise hit Alien: Romulus ($351 million global),” Deadline wrote

These earnings re-emphasize Disney as a powerhouse in the entertainment industry. Their films, across multiple branches, have long topped box office earnings throughout the 21st Century, and its $5 billion global earnings this year cement it as a studio to always be on the look out for. 

Ringo Starr Stated Barry Keoghan Is Set To Play Him In New Beatles Biopic Films 

According to Ringo Starr himself, Barry Keoghan is set to star as the famous drummer in Sam Mendes’s new set of biopics about the Beatles. 

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Starr was recently interviewed by Entertainment Tonight where he confirmed that the Oscar-nominated star of Saltburn will be playing him in Sam Mendes’s new set of films about the Beatles. 

“I think it’s great. I believe he’s somewhere taking drum lessons, and I hope not too many,” Starr said when he was asked about Keoghan’s alleged casting. 

Sam Mendes’s project is set to be four films, each of which will be from the perspective of each band member. 

“I’m honored to be telling the story of the greatest rock band of all time and excited to challenge the notion of what constitutes a trip to the movies,” Mendes said.

The project received the life and music rights from Paul McCartney and Ringo Starr, as well as the estates of John Lennon and George Harrison. 

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“Nothing is off limits and no sense of the band wanting him [Sam] to tell a particular ‘authorized’ version of their rise to success,” said producer Pippa Harrison. 

Keoghan is one of Hollywood’s most talked about actors currently after his acclaimed performances in The Killing of a Sacred Deer and American Animals, as well as an Oscar-nominated performance in The Banshees of Inisherin. 

He also starred in the hit diverse thriller Saltburn and is set to star in psychological thriller Hurry Up Tomorrow with singer The Weeknd.

Paul Mescal is another rumored actor for the series of biopics as Paul McCartney. “I would love to be involved, but there’s nothing set in stone,” Mescal recently told GQ.

Actor Harris Dickinson is rumored to be in talks to be playing John Lennon. “There’s nothing I can say about that. It might not be true, it might be, I don’t know … there’s a speculation culture,” he told Dazed

The films are all set to be released in 2027.

eyes

Nathan Stewart-Jarrett Discusses New Movie ‘Femme’ And Society’s Expectations On Masculinity 

Actor Nathan Stewart-Jarrett recently described, in an interview with the Guardian, his new show ‘Femme,’ where he plays a drag queen named Jules. While talking about this role and pushing himself as an actor, Stewart-Jarrett also took the opportunity to describe society’s obsession with masculinity and the importance of breaking those standards.

movie

A ‘Barbenheimer’ Parody Movie Is Officially In The Works 

This past summer, ‘Barbie’ and ‘Oppenheimer’ releasing in theaters on the same day became a pop culture phenomenon known as “Barbenheimer,” with moviegoers embracing the significance of both films and their vastly unique impacts. Some viewers even planned their entire days around seeing both movies back-to-back. 

Producer Charles Band will be creating the movie through his company Full Moon Features, he confirmed to People Magazine. 

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“With the world so divided and with so many genre films focusing on things that depress, with Barbenheimer, I just want to make a fun, cool, witty little weird movie that unites people with laughter and fun — that reminds us movies can simply be escapism.”

Band is known for his films in horror and horror-comedy, and initially spoke on the “Barbenheimer” craze to the Hollywood Reporter. Both Greta Gerwig’s ‘Barbie’ and Christopher Nolan’s ‘Oppenheimer’ received a large amount of press and hype before their release on the same day in July, so much so that the trend to see both movies in one weekend, or back-to-back on the same day, became popular. 

“We’re making a crazy, candy-colored romp that riffs on two movies that literally have nothing in common and yet when placed together, make perfect — and perfectly strange — harmonious bedfellows. Which is what I wish we could do in real life (as opposed to ‘reel’ life),” Band explained

Band said that his biographer, Adam Felber, suggested he make the movie after the hype first began, telling him “everyone around the world is having fun with that notion, so we should actually make it.” 

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According to a synopsis reported by the Hollywood Reporter, “the story follows Dr. Bambi J Barbenheimer, a scientist doll from Dolltopia with a boyfriend named Twink Dollman, who ventures into the real world where she experiences humanity at its worst and, naturally, decides to build a giant nuclear bomb to take it all out.”

The movie will reportedly begin production sometime next year, but it’s still in the very early stages of development; they’re still looking for a director and cast. The movie will also feature a slew of original songs, like the ‘Barbie’ movie, written by Brian Wecht. 

“[This project is] an opportunity to have fun with the bizarre coupling of these two movies and the combination of Barbie’s vibe and the darkness of Oppenheimer. You mix that together and you have such an opportunity for dark humor,” Band explained. 

“But it seems like every other feature is dark and depressing, and it’s like, God, we need a little humor going into 2024,” he said.

“On top of Barbenheimer the movie, Full Moon will add some crazy merch to our already robust line of toys, including a Dr. Barbenheimer action figure riding a nuclear missile a la Dr. Strangelove. This is going to be a fun one, and I’m super excited to bring Barbenheimer to life,” Band tells People.

Maestro

Leonard Bernstein’s Family Defends Bradley Cooper’s Portrayal In New Film ‘Maestro’

Famous composer and conductor Leonard Bernstein is being portrayed by Bradley Cooper in the new film ‘Maestro.’ After the first trailer of the film was released this week, some critics online stated concerns that the makeup worn by Cooper to portray Bernstein in the movie reinforced hurtful anti semitic stereotypes. 

Cooper’s also not of Jewish ancestry while Bernstein was born in Massachusetts to Jewish immigrant parents from Russia. 

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However, the children of the late Bernstein, Jamie, Alexander, and Nina, have voiced their defense of Bradley and the film, taking to Instagram to share a statement about the backlash that Cooper and the film has been facing. 

“Bradley Cooper included the three of us along every step of his amazing journey as he made his film about our father,” their statement said.

 “We were touched to the core to witness the depth of his commitment, his loving embrace of our father’s music, and the sheer open-hearted joy he brought to his exploration. It breaks our hearts to see any misrepresentations or misunderstandings of his efforts.”

Jamie, Alexander, and Nina also directly addressed the criticism of Cooper’s physical appearance and makeup in the film portraying their father. 

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“It happens to be true that Leonard Bernstein had a nice, big nose. Bradley chose to use makeup to amplify his resemblance, and we’re perfectly fine with that,” they said. 

“We’re also certain that our dad would have been fine with it as well. Any strident complaints around this issue strike us above all as disingenuous attempts to bring a successful person down a notch — a practice we observed all too often perpetrated on our own father.”

Cooper also co-wrote, co-produced, and directed ‘Maestro,’ marking his first directorial work since ‘A Star Is Born’ in 2018.

The film follows Bernstein and his 25-year marriage to Felicia Montealegre, who’s played by Carey Mulligan. Both Martin Scorsese and Steven Speilberg are part of the film’s production team as well. 

“At all times during the making of this film, we could feel the profound respect and yes, the love that Bradley brought to his portrait of Leonard Bernstein and his wife, our mother Felicia. We feel so fortunate to have had this experience with Bradley, and we can’t wait for the world to see his creation,” the family statement concluded. 

priest

Vatican Exorcists Denounce Russel Crowe’s New Horror Film ‘The Pope’s Exorcist’

Russel Crowe’s new horror film, “The Pope’s Exorcist,” is being criticized by the International Association of Exorcists for being “pretentious, unreliable, splatter cinema.”

rocks

Ann Axtell Morris, One Of The US’s First Female Archaeologists, Gets Recognition In New Tom Felton Film

Tom Felton, known for his role as Draco Malfoy in Harry Potter, produces new film ‘Canyon Del Muerto,’ telling the epic story of Ann Axtell Morris, one of the US’s first female archeologists.

movies

‘Smile’ Writer and Director State’s Film’s Interpretation Of Mental Illness Was Intentionally Complicated 

New horror movie ‘Smile’ is becoming a hit at the box office this month. Parker Finn, the film’s writer and director, recently was interviewed by Polygon magazine at Fantastic Fest to discuss how he thinks the movie’s connected to so many audience members due to its representation of anxiety, trauma, and mental illness in general. 

“I think it’s so relatable. Everybody walks around carrying these things inside of themselves that are deeply rooted in them at their core, that are based on their histories and traumas.”

Finn continued to discuss how he wanted to use that feeling that so many can relate to, “and also explore what it might be like to have your mind turning against you. For me, that’s one of my greatest fears.”

Finn suggests that “due to events around the COVID-19 quarantines, feelings of stress and anxiety have become their own parallel epidemic.”

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“I developed and wrote and ended up shooting this movie all during the pandemic, when I think we were all traumatized and feeling a sense of isolation and a fear of transmission. The idea that trauma could beget trauma was really present in my brain, and I think it just crept its way into the script,” he explained. 

Finn also broke down how society has become much more open when it comes to talking about mental health and the many different ways it impacts humanity. 

“I think it’s something that as a society, we’ve all started to confront more. I think it’s in the air. It’s something we’re all aware of: Everybody’s got trauma of some sort in their life, whether it’s great or small, things they carry around with them that they don’t talk about.”

“We all put these masks on to hide our trauma, which was very much a motif in the film, with the smile being a metaphor, a mask,” he says, referring to the common feeling of “hiding behind a smile” that many individuals who suffer from mental pain can relate to. 

The movie itself follows protagonis Rose, played by Sosie Bacon, as she navigates her own deep traumas from her childhood in relation to her mother’s death. Rose herself is a therapist, so while she’s used to helping others navigate their own mental health journeys, she’s not used to feeling her own internal struggle and confrontation with her past. 

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“I wanted to do something that felt like what it would be like to be to experience [a breakdown], to put yourself in someone’s shoes and maybe look at [other people’s experiences and traumas] in a way we haven’t considered before,” Finn says. 

“I think it’s a universal theme for everyone, this idea that we’re all afraid of not being believed, especially by the people closest to us. That’s terrifying.”

Finn explained how he worked with psychologists throughout the production of the film to get the most accurate representation of when others don’t believe someone when they discuss their personal struggles, as well as convey the pain that one feels when they feel like they’re not being heard. 

“I think it’s always a balance, but I wanted to trust the audience and respect their intelligence and their emotions. And I love messy movies. I want people to feel different things. And sometimes you want to provoke them. Sometimes you want them to feel a ton of sympathy or empathy, but you always want to make it complicated for the audience. That’s when a movie is doing its job, right?” he expressed. 

Finn’s hope regarding ‘Smile’ is to “add to the conversation” surrounding mental illness in a horror context so that the movie is not only scary on the surface, but in its deeper meaning as well. 

“I think as a society, we’ve started to speak better about mental health and therapy and trauma, things like that. But we’re still not really there. It’s not something people understand. So I wanted to use this as a parallel and a device to explore something that hopefully would get people to think a little differently about what it might be like to be actually experiencing those sorts of things,” Finn concluded.